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Posts Tagged : Performance

On this past Tuesday, the curtain went up for the first time at the Jerome L. Greene Performance Space, WNYC’s new street-level set-up at the corner of Varick and Charlton streets. Or rather, the indoor space went from dark to light as the shades went up on windows looking out on both streets—at 7 p.m., […]

Robert Wilson traffics in memory, controlling the passage of time and playing around with it—with us—by juxtaposing temporal spheres. In a fascinating tribute to his collaborator, Judson movement alum Suzushi Hanayagi, Wilson created with choreographer Carla Blank KOOL: Dancing in My Mind, which premiered at the Guggenheim’s Works & Process series last weekend. It was […]

As if it weren’t enough doing eight Fionas a week in Shrek on Broadway, Sutton Foster has squeezed in two Monday evenings this month at Feinstein’s at the Regency. I missed her February performance in Lincoln Center’s “American Songbook” series, so I made it over to Feinstein’s for the first of these, which took place […]

Many of the top dance companies have second troupes that serve as farm teams. They develop young talent, allowing time for technique to deepen and providing invaluable stage experience. This seems to be the New York season for the “twos,” what with runs by ABT II, Ailey II, and NDT II taking place within weeks […]

Horse, the male troupe from Taiwan presented by Eliot Feld’s Mandance Project, performed two evenings at the Joyce Theater recently. Wedged among eleven shows of Feld repertory, the evenings have in common the dancers Wu-Kang Chen and Wei-Chia Su. The company performed the US premiere of Bones, an austere work that edges away from a […]

If you visit McGovern’s website, the first thing you’ll see is a header in huge, red, loopy script, “THE STRADIVARIUS VOICE.” At about the same moment, you will will be hit with the sound of that instantly recognizable voice ringing out—her cover of a Bob Dylan tune, “The Times They are a-Changin’.” That song is […]

These days, when you hear news reports about the daunting challenges facing the arts and culture world, it’s typically problems of the financial sort being discussed. For the Syrian clarinetist Kinan Azmeh, who plays Middle Eastern music with his Kinan Azmeh Quartet tonight at St. Peter’s Church, it’s just one of many challenges he faces. […]

Paul Taylor Dance Company is performing 19 works in nearly three weeks at City Center, through March 15. This is both a gift and a curse. The sheer breadth of his work is dazzling, and it is brought into stunning clarity by his amazing company of 16. The downside is choosing which programs to see. […]

One of Japan’s buzz-worthy young theater companies, chelfitsch, is in town this week at the Japan Society on Feb 5-7. The troupe’s name is a baby-talk twist on the word selfish. This makes perfect sense given the context of the play, Five Days in March, written and directed by the group’s artistic director Toshiki Okada. […]

By now, you’ve probably heard about Patti LuPone’s show-stopping incident on the next-to-last day of Gypsy’s Broadway run, on January 10, demanding that an audience member stop taking photographs. If you didn’t read about it in the Village Voice or Gawker or Life’s a Pitch blogs, you’ve heard the actual outburst itself: in an ironic […]

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SundayArts is made possible in part by First Republic Bank and by the Rubin Museum of Art. Funding for SundayArts is also made possible by Rosalind P. Walter, The Paul and Irma Milstein Foundation, The Philip & Janice Levin Foundation, Elise Jaffe and Jeffrey Brown, Jody and John Arnhold, and The Lemberg Foundation. This program is supported, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. Additional funding provided by members of THIRTEEN.
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