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In this edition of SundayArts: This summer the Royal Shakespeare Company makes its home at the Park Avenue Armory, bringing all of its sets, costumes and lighting from Stratford-upon-Avon; Alexander McQueen's visionary garments are on display at the Metropolitan Museum of Art; the latest SundayArts News; and more.

Led by Austrian Music Director Franz Welser-Möst, the Cleveland Orchestra will undertake four different pieces by 19th Century minimalist composer Anton Bruckner in under a week as part of the Lincoln Center Festival.

This summer the Royal Shakespeare Company makes its home at the Park Avenue Armory, bringing all of its sets, costumes and lighting from Stratford-upon-Avon. A full scale replica of the theater completes the armory’s transformation during the Royal Shakespeare Company’s six week residency.

Susan Wides at the Hudson River Museum in Yonkers, Mark di Suvero at Governor's Island, and free music and theater across the city indoors and out.

A look at the cutting edge new theaters coming to the Film Society of Lincoln Center.

In this edition of SundayArts: Six Macaulay Honors College freshman go behind the scenes at the Met Opera's premiere of John Adams' Nixon in China, a look at Neue Galerie's "Vienna 1900: Style and Identity," and much more.

The Neue Galerie presents an exhibition entitled Vienna 1900: Style and Identity, curated by Christian Witt-Dörring and Jill Lloyd, which aims to reveal a common thread running through the fine and decorative arts in turn-of-the-century Vienna: the redefinition of individual identity in the modern age.

This week in SundayArts News: the Lincoln Center Festival, The Royal Shakespeare Company, Marilyn Monroe, and more.

Six Macaulay Honors College freshmen journey backstage as cast and crew prepare for The Metropolitan Opera premiere of John Adams' "Nixon in China. "

Almost 30 years after his La Tragédie de Carmen riveted audiences at the Vivian Beaumont Theater, director Peter Brook returns to Lincoln Center with a vivacious new interpretation of Die Zauberflöte. This intimate adaptation strips the work's usual ornamentation to reveal the impish, effervescent heart of Mozart's masterpiece.

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SundayArts is made possible in part by First Republic Bank and by the Rubin Museum of Art. Funding for SundayArts is also made possible by Rosalind P. Walter, The Paul and Irma Milstein Foundation, The Philip & Janice Levin Foundation, Elise Jaffe and Jeffrey Brown, Jody and John Arnhold, and The Lemberg Foundation. This program is supported, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. Additional funding provided by members of THIRTEEN.
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