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SundayArts is Now NYC-ARTS
video archive NYC-ARTS.org

This week at Lincoln Center, the second annual Coca-Cola Generations in Jazz Festival kicks off, featuring veterans and newcomers alike celebrating the rich tradition of Jazz at Lincoln Center.

Festival newcomers join veterans in celebration of Mozart’s musical influence during the concluding week of the Mostly Mozart Festival at Lincoln Center.

Lincoln Center Out of Doors has its final week of free public programming and stimulating visuals and sounds are at the forefront.

Mostly Mozart, America’s first indoor summer music festival, begins its August takeover of the Lincoln Center Campus.

Lincoln Center Out of Doors kickstarts its 2011 season with over 100 free performances at Lincoln Center Plaza, including English rocker Billy Bragg, gospel legend Mavis Staples, and more.

Led by Austrian Music Director Franz Welser-Möst, the Cleveland Orchestra will undertake four different pieces by 19th Century minimalist composer Anton Bruckner in under a week as part of the Lincoln Center Festival.

Violinist Anne-Sophie Mutter gives the final performances of her extended residency with the New York Philharmonic.

The Chamber Music Society presents Striking Sounds I, featuring work from avant-garde composer George Crumb, with vocals performed by baritone Thomas Hampson.

Rafael Pi Roman speaks with composer Stephen Schwartz about his first opera, Séance on a Wet Afternoon, playing through May 1, 2011 at New York City Opera.

Electric Kulintang (Susie Ibarra and Roberto Rodriguez) distills electronic, dance, jazz, field recordings and traditional Philippine Kulintang music. The group performs April 21, 2011 at the David Rubenstein Atrium.

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SundayArts is made possible in part by First Republic Bank and by the Rubin Museum of Art. Funding for SundayArts is also made possible by Rosalind P. Walter, The Paul and Irma Milstein Foundation, The Philip & Janice Levin Foundation, Elise Jaffe and Jeffrey Brown, Jody and John Arnhold, and The Lemberg Foundation. This program is supported, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. Additional funding provided by members of THIRTEEN.
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