Carol Ward, Director of Education and Public Programs at the Morris-Jumel Mansion, guides us through the historic Washington Heights landmark.
Looking towards the Whitney Museum of American Art's move downtown, the museum's curatorial team devised a series of special installations to give museum-goers an idea of what the Whitney's collection might look like presented in a larger setting. In this SundayArts Profile, Paula Zahn speaks to Barbara Haskell, Co-curator of "Breaking Ground: The Whitney’s Founding Collection."
At the Whitney Museum of American Art, 33-year-old Cory Arcangel is enjoying his first major American solo exhibition, “Pro Tools.” SundayArts caught up with Cory at his studio in Brooklyn to get some insight into his playful and sometimes elusive work.
Philippe de Montebello speaks with Gregory Long, President and CEO of The New York Botanical Garden. For over 21 years Mr. Long has been devoted to the restoration and revitalization of the Garden, one of New York City’s most prominent cultural institutions.
This summer the Royal Shakespeare Company makes its home at the Park Avenue Armory, bringing all of its sets, costumes and lighting from Stratford-upon-Avon. A full scale replica of the theater completes the armory’s transformation during the Royal Shakespeare Company’s six week residency.
A look at the cutting edge new theaters coming to the Film Society of Lincoln Center.
The Neue Galerie presents an exhibition entitled Vienna 1900: Style and Identity, curated by Christian Witt-Dörring and Jill Lloyd, which aims to reveal a common thread running through the fine and decorative arts in turn-of-the-century Vienna: the redefinition of individual identity in the modern age.
Six Macaulay Honors College freshmen journey backstage as cast and crew prepare for The Metropolitan Opera premiere of John Adams' "Nixon in China. "
When George Balanchine said, "I don't want people who want to dance; I want people who have to dance” he was speaking about members of the New York City Ballet. To join their ranks takes unbelievable amounts of commitment, perseverance, and training. And, for most of these dancers, the training begins at the School of American Ballet.
Andrew Bolton, curator of the Metropolitan Museum of Art's Costume Institute, discusses Savage Beauty, the current exhibition of the late designer Alexander McQueen's extraordinary garments on display through August 7, 2011.