Susan Galassi, senior curator at the Frick collection, and co-curator of the exhibition “Picasso’s Drawings 1890 to 1921: Reinventing Tradition,” introduces the drawings on display now.
Cora Cahan, head of the 42nd Street development project, spearheaded one of largest economic endeavors in the city’s history. The transformation of this one street in the heart of Manhattan became an anchor for all of the Times Square area. In this SundayArts Profile, Cahan discusses the renovation of the oldest theater on 42nd Street, The Victory.
Carmine Branagan, director at the National Academy, presents the Academy's newly renovated galleries with an American collection that spans American art and architecture from 1826 to 2011.
In this SundayArts Profile, we are treated to an excerpt from Chopin’s Polonaise Fantasy, Opus 61, performed by Avery Fisher Career Grant winner Benjamin Hochman.
SundayArts visits Japan Society for a glimpse of "Fiber Futures: Japan's Textile Pioneers," which showcases the dynamic field of Japanese fiber art.
Paula Zahn speaks to Peter Sellars, considered one of the great innovators in contemporary theater and opera.
In honor of Arts for Transit passing its quarter-century milestone, SundayArts took a look at some of the system’s most celebrated works and the artists behind them. This week we focus on Tom Otterness’s, “Life Underground” at 14th St and 8th Ave.
Pianist Chu-Fang Huang performs on the occasion of receiving her 2011 Avery Fisher Career Grant.
Paula Zahn speaks with Jane Moss, Ehrenkranz Artistic Director of Lincoln Center and the director of the White Light Festival.
Deep down in a dark abandoned Brooklyn subway station lies a "Masstransiscope." No, it is not some mythological monster from the deep... It is a creative work of art. The artist, Bill Brand, speaks about his creation in this SundayArts "Art Underground" special.