“Are you Woody Allen?,” quipped Anna Karina to an audience member who asked her how she felt about being Jean-Luc Godard’s muse. The question came towards the end of a Q&A that followed a screening of A Woman Is a Woman at BAMcinématek on Tuesday as part of Anna in ...
Crafting an obituary is not a somber process at The New York Times. An entire editorial department makes daily attempts to give proper sendoffs to individuals who have left a lasting impression at a point in history. With only a line or two regarding the cause or the family’s confirmation ...
With an impressive amount of virtual reality simulation stations and immersive screenings, the Tribeca Film Festival, which opened April 13 and runs through April 24, got a lot of toys for its 15th birthday. Inside of the festival’s hub at 50 Varick Street, participants were encouraged to don goggles and ...
The films of Chantal Akerman sculpt time. Her signature static frame, which often lingers without any corporeal presence in the shot, emphasizes time’s disregard for mortality. Faced with stillness, we feel the tick of the watch as the camera observes with an uninterrupted gaze—frequently lasting several minutes, an eternity on ...
The last time we saw Paul Dedalus and Esther, Arnaud Desplechin’s long-term lovers, was twenty years ago in My Sex Life…or How I Got into an Argument, and if Mathieu Amalric has his wish, the next time will be in another 30 years. “We’d be old and so mean. And ...
REEL 13 is still on hiatus for March pledge, but we haven’t taken our eyes off the great films playing around the city. While you’re waiting for us to return to your home theater on March 26th, here are some films to help you avert movie malaise. Sticking to the ...
REEL 13 may be taking a break for March pledge, but we haven’t taken our eye off of the great films playing around the city. While you’re waiting for us to return to your home theater on March 26th, here are some films to stave off your cinematic ennui. Sticking ...
As a young girl, I wanted nothing more than to be a witch. Beyond the cheeky nose twitchers of family hour television lived my cinema witch, the embodiment of a certain kind of feminine power that I didn't quite understand but wanted to be part of nonetheless. Like for so ...
In a piecing together of forgotten wartime events, Waltz with Bashir uses animation to reconstruct a supposed reality as a strange dream. Director and protagonist Ari Folman, who served in the Israeli army in Lebanon during the summer of 1982, seeks clarity of his distorted memories through a series of ...
