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SELECTED BIBLIOGRAPHY
Adamczyk, Alice J. BLACK DANCE: AN ANNOTATED BIBLIOGRAPHY New York and London: Garland Publishing, 1989.

Ailey, Alvin with Peter Bailey. REVELATIONS: THE AUTOBIOGRAPHY OF ALVIN AILEY. Secaucus, N.J.: Carol Publishing Group (A Birch Lane Press Book), 1995.

Allen, Zita. ALVIN AILEY AMERICAN DANCE THEATER: 25 YEARS. New York: 1983.

Asante, Kariamu Welsh,ed. AFRICAN DANCE: AN ARTISTIC, HISTORICAL AND PHILOSOPHICAL INQUIRY. Trenton, N.J.: African World Press, 1999

Aschenbrenner, Joyce. KATHERINE DUNHAM: REFLECTIONS ON THE SOCIAL AND POLITICAL CONTEXTS OF AFRO-AMERICAN DANCE. CORD Dance Research Annual XIII. New York: Congress on Research in Dance, 1980.

Banes, Sally. DANCING WOMEN: FEMALE BODIES ON STAGE. Routledge, London: Routledge, 1999.

Bastide, Roger. THE AFRICAN RELIGIONS OF BRAZIL: TOWARD A SOCIOLOGY OF THE INTERPENETRATION OF CIVILIZATIONS. Trans. Helen Sebba. Baltimore: Johns Hopkins University Press, 1978.

Beckford, Ruth. KATHERINE DUNHAM: A BIOGRAPHY. New York: Marcel Dekker, 1979.

Butcher, Margaret Just. THE NEGRO IN AMERICAN CULTURE. Based on materials left by Alain Locke. New York: Knopf, 1956.

Clark, VeVe A. and Margaret B. Wilkerson, eds. KAISO! KATHERINE DUNHAM. AN ANTHROPOLOGY OF WRITINGS. Berkeley: University of California, Berkeley Institute for the Study of Social Change, 1978.

Cohen,Selma Jeanne. DANCE AS A THEATRE ART: SOURCE READING IN DANCE HISTORY FROM 1581 TO THE PRESENT. New York: Dodd, Mead, 1974.

Cohan, Selma, Jeanne, Editor. THE INTERNATIONAL ENCYCLOPEDIA OF DANCE. Six volumes, New York, Oxford University Press, 1998.
---, ed. THE MODERN DANCE: SEVEN STATEMENTS OF BELIEF. Middletown, Conn.: Wesleyan University Press, 1966.

Courlander, Harold. THE DRUM AND THE HOE: LIFE AND LORE OF THE HAITIAN PEOPLE. Berkeley, California: University of California Press, 1960.

Croce, Arlene. AFTERIMAGE. New York: Knopf, 1978
---. GOING TO THE DANCE. New York: Knopf, 1982
---. SIGHT LINES. New York: Knopf, 1987

Denby, Edwin. DANCE WRITINGS. New York: 1986.
---. DANCERS, BUILDINGS AND PEOPLE IN THE STREETS. New York: Popular Library, 1965.
---. LOOKING AT THE DANCE. New York: Horizon Press, 1949.

Dixon-Stowell, Brenda. "Between Two Eras: 'Norton and Margot' in the

Afro-American Entertainment World." DANCE RESEARCH JOURNAL 15, no. 2 (Spring 1983): 1-20.

Duncan, Isadora. THE ART OF THE DANCE. 1928; reprint, New York: Theater Arts Books, 1970.

Dunham, Katherine. "The Future of the Negro in Dance." DANCE HERALD (Mar. 1938): S.
---. "The Dances of Haiti." Los Angeles: UCLA Center for Afro-American Studies, 1983.
---. ISLAND POSSESSED. 1969; reprint, Chicago: University of Chicago Press, 1994.

Dunning, Jennifer. ALVIN AILEY: A LIFE IN DANCE. New York: Addison Wesley, 1996

Emery, Lynne Fauley. BLACK DANCE IN THE UNITED STATES FROM 1619 TO 1970. Palo Alto, Calif.: National Press Books, 1972.

Fabre, Geneviève and Robert O'Meally, eds. HISTORY AND MEMORY IN AFRICAN-AMERICAN CULTURE. New York: Oxford University Press, 1994.

Floyd Jr., Samuel A. THE POWER OF BLACK MUSIC. New York: Oxford University Press, 1995.

Forti, Simone. HANDBOOK IN MOTION. Halifax, Nova Scotia: Press of Nova Scotia College of Art and Design, 1973.

Foulkes, Julia L. MODERN BODIES: DANCE IN AMERICAN MODERNISM IN THE 1930S. Chapel Hill: University of North Carolina Press, 2001.

Genovese, Eugene D. ROLL, JORDAN, ROLL: THE WORLD THE SLAVES MADE. New York: Pantheon, 1974.

Goines, Margaretta Bobo. "African Retentions in the Dance of the Americas." In CORD Dance Research Monograph One, 207-29. New York: Concert on Research in Dance, 1973.

Gottschild, Brenda Dixon. DIGGING THE AFRICANIST PRESENCE IN AMERICAN PERFORMANCE: DANCE AND OTHER CONTEXTS. Westport, Conn.: Greenwood Press, 1996.

Gruen, John. PEOPLE WHO DANCE: 22 DANCERS TELL THEIR OWN STORIES. Princeton, N.J.: Princeton Book Company, 1988.

Harrison, Ira E. and Faye V. Harrison. AFRICAN-AMERICAN PIONEERS IN ANTHROPOLOGY. Urbana: University of Illinois Press, 1999.

Haskins, James. KATHERINE DUNHAM. New York: Coward, McCann and Geoghegan, 1982.

Hazzard Gordon, Katrina. JOOKIN': THE RISE OF SOCIAL DANCE FORMATIONS IN AFRICAN-AMERICAN CULTURE. Philadelphia: Temple University Press, 1990.

Herskovits, Melville J. LIFE IN A HAITIAN VALLEY. New York: Knopf, 1937.
---. THE NEW WORLD NEGRO. Bloomington: Indiana University Press, 1966.

Herskovits, Melville J. and Frances S. Herskovits. REBEL DESTINY: AMONG THE BUSH NEGROES OF DUTCH GUIANA. New York: Whittlesey House, 1934.

Highwater, Jamake. DANCE: RITUALS OF EXPERIENCE. New York: A&W Publishers, 1978.

Hughes, Langston and Milton Meltzer. BLACK MAGIC: A PICTORIAL HISTORY OF THE NEGRO IN AMERICAN ENTERTAINMENT. Englewood Cliffs, N.J.: Prentice-Hall, 1967.

Jamison, Judith and Howard Kaplan. DANCING SPIRIT: AN AUTOBIOGRAPHY. New York: Doubleday, 1993.

Johnson, Helen Armstead. "Blacks in Vaudeville: Broadway and Beyond." In AMERICAN POPULAR ENTERTAINMENT: PAPERS AND PROCEEDINGS OF THE CONFERENCE ON THE HISTORY OF AMERICAN POPULAR ENTERTAINMENT, ed. by Myron Matlaw, 77-86. Westport, Conn.: Greenwood Press, 1979.

Johnson, James Weldon. BLACK MANHATTAN. New York: Knopf, 1930

Johnson, Jill. MARMALADE ME. New York: William Morrow, 1988.

Jowitt, Deborah. DANCE BEAT: SELECTED VIEWS AND REVIEWS 1967-1976. New York: Marcel Dekker, 1977.
---. THE DANCE IN MIND. Boston, 1985.
---. TIME AND THE DANCING IMAGE. New York: William Morrow, 1988.

Kendall, Elizabeth. WHERE SHE DANCED. New York: Knopf, 1979.

Kreigsman, Sali Ann. MODERN DANCE IN AMERICA: THE BENNINGTON YEARS. Boston: G.K. Hall, 1981.

Levine, Lawrence. BLACK CULTURE AND BLACK CONSCIOUSNESS: AFRO-AMERICAN FOLK THOUGHT FROM SLAVERY TO FREEDOM. New York: Oxford University Press, 1977.

Lloyd, Margaret. THE BORZOI BOOK OF MODERN DANCE. New York: 1949; reprint, Brooklyn: Dance Horizons, 1970.

Long, Richard. THE BLACK TRADITION IN AMERICAN DANCE. New York: Rizzoli International, 1989.

McBurnie, Beryl. OUTLINES OF THE DANCE OF TRINIDAD. Port-of-Spain: Guardian Commercial Printery, n.d.

Malone, Jacqui. STEPPIN' ON THE BLUES: THE VISIBLE RHYTHMS OF AFRICAN AMERICAN DANCE. Urbana: University of Illinois Press, 1996.

Martin, John. AMERICA DANCING: THE BACKGROUND AND PERSONALITIES OF THE MODERN DANCE. 1936; reprint, Brooklyn: Dance Horizons, 1966.
---. RUTH PAGE: AN INTIMATE BIOGRAPHY. New York: Marcel Dekker, 1977.

Maynard, Olga. AMERICAN MODERN DANCERS: THE PIONEERS. Boston and Toronto: Little Brown, 1965.

Mazo, Joseph H. PRIME MOVERS: THE MAKERS OF MODERN DANCE IN AMERICA. New York: William Morrow, 1977.

Meyers, Gerald, ed. THE BLACK TRADITION IN AMERICAN MODERN DANCE. Durham: American Dance Festival, Duke University, 1988.
---. AFRICAN AMERICAN GENIUS IN MODERN DANCE. Durham: American Dance Festival, Duke University, 1992.

Mitchell, Jack. ALVIN AILEY AMERICAN DANCE THEATER: JACK MITCHELL PHOTOGRAPHS. Kansas City: Andrews & McMeel, 1993

Moreau de Saint-Mery, Mederic Louis Elie. "Dance," Article drawn from the work of M.L.E. Moreau de St.-Mery, "Repertory of Colonial Information Compiled Alphabetically" (1976). Trans. by Lily and Baird Hastings. New York: Dance Horizons, 1976.

Osumare, Halifu, compiler, and Lewis-Ferguson, Julinda, ed., BLACK CHOREOGRAPHERS MOVING: A NATIONAL DIALOGUE. Berkeley: Expansion Arts Services, 1991.

Primus, Pearl. "African Dance: Eternity Captured." CARIBE 7, nos. I & II: 10-13.
---. "Primitive African Dance (and Its Influence on the Churches of the South)." In THE DANCE ENCYCLOPEDIA, ed. by Anatole Chujoy, 387-89. New York: A.S. Barnes, 1949.
---. "Out of Africa." In THE DANCE HAS MANY FACES, ed. by Walter Sorrell,
255-58. Cleveland: World Publishing.

Rose, Albirda. DUNHAM TECHNIQUE: A WAY OF LIFE. Dubuque, Iowa: Kendall/Hunt, 1990.

Schlundt, Christena. TAMIRIS: A CHRONICLE OF HER DANCE CAREER. New York: New York Public Library, 1972.

Shelton, Suzanne. DIVINE DANCER: A BIOGRAPHY OF RUTH ST. DENIS. Garden City, N.Y.: Doubleday, 1981.

Siegel, Marcia B. AT THE VANISHING POINT: A CRITIC LOOKS AT DANCE. New York: Saturday Review Press, 1972.
---. DAYS ON EARTH: THE DANCE OF DORIS HUMPHREY. New Haven: Yale University Press, 1987.
---. THE TAIL OF THE DRAGON: NEW DANCE, 1976-1982. Durham: Duke University Press, 1991.

---. WATCHING THE DANCE GO BY. Boston: Houghton Mifflin, 1977.

Sorell, Walter. DANCE IN ITS TIME: THE EMERGENCE OF AN ART FORM. Garden City, N.Y.: Anchor Press/Doubleday, 1981.

Stewart, Virginia, and Merle Armitage, eds. THE MODERN DANCE. 1935; reprint, Brooklyn: Dance Horizons, 1970.

Stuckey, Sterling. GOING THROUGH THE STORM: THE INFLUENCE OF AFRICAN AMERICAN ART IN HISTORY. New York: Oxford University Press, 1994.

---. SLAVE CULTURE: NATIONALIST THEORY AND THE FOUNDATIONS OF BLACK AMERICA. New York: Oxford University Press, 1987.

Terry, Walter. THE DANCE IN AMERICA. 1956, rev. ed., New York: Harper and Row, 1971
---. "I WAS THERE." SELECTED DANCE REVEIWS AND ARTICLES, 1936-1976. compiled and edited by Andrew Mark Wentink. New York: Marcel Dekker, 1978.
---. MISS RUTH: THE MORE LIVING LIFE OF RUTH ST. DENIS. New York: Dodd, Mead, 1969.

Tharp, Twyla. PUSH COMES TO SHOVE: AN AUTOBIOGRAPHY. New York: Bantam Books, 1992.

Thompson, Richard Farris. FLASH OF THE SPIRIT: AFRICAN AND AFRO-AMERICAN ART AND PHILOSOPHY. New York: Vintage, 1983.

Wigman, Mary. THE LANGUAGE OF DANCE. Trans. Walter Sorell. Middletown, Conn.: Wesleyan University Press, 1975.

Zimmer, Elizabeth and Susan Quasha. BODY AGAINST BODY: THE DANCE AND OTHER COLLABORATIONS OF BILL T. JONES AND ARNIE ZANE. Barryton, N.Y.: Stanton Hill Press, 1989.