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Preview of GLASS: a portrait of Philip in twelve parts
Posted: April 27th, 2009
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In July 2005, filmmaker Scott Hicks started shooting a documentary about the composer Philip Glass to celebrate his 70th birthday in 2007. Over the next 18 months, Scott followed Philip across three continents – from his annual ride on the Coney Island “Cyclone” to the world premiere of his new opera in Germany and in performance with a didgeridoo virtuoso in Australia.

Allowed unprecedented access to Glass’ working process, family, spiritual teachers and long time collaborators, Hicks worked with a skeleton crew and shot the lion’s share of the film himself, giving us a singular revelation into the life of this surprising and complex man.

“The music of Philip Glass is instantly recognizable. Its layered, repetitive notes are transcendent to some and unbearable for others. Yet, no one can dispute the influence Glass has over contemporary music,” says Susan Lacy, creator and executive producer of American Masters, a six-time winner of the Emmy Award® for Outstanding Primetime Non-Fiction Series. “This film offers a fascinating personal study of the dedicated artist doing what he does best – from making music to making pizza.”

Over the year and a half of shooting, GLASS follows the innovative composer with a casual, immediate honesty. The film features performance footage of Glass’ seminal collaboration with Robert Wilson, Einstein on the Beach, interviews with former partners JoAnne Akalaitis and Holly Critchlow, artist Chuck Close, musician Nico Muhly and directors Woody Allen, Errol Morris, Godfrey Reggio and Martin Scorsese.

Born in 1937, Glass grew up in Baltimore and was educated at the University of Chicago and The Juilliard School. After a period in Europe where he studied with the legendary Nadia Boulanger and the sitar maestro Ravi Shankar, he returned to New York in 1967 to form the Philip Glass Ensemble. The radical musical group performed at various art happenings in the downtown gallery scene, where Glass cultivated his signature sound. His unique soundscape of reiterative structures was initially vilified but has since achieved international acclaim. Today, his versatile, prolific body of work spans multiple genres including opera, symphony, experimental theater and dance, film score – for which he has received three Oscar nominations – and even rock. His collaborators have ranged from Allen Ginsberg and Twyla Tharp to David Bowie and Paul Simon to Yo-Yo Ma and Doris Lessing.

Watch a preview for this SundayArts program here or visit the American Masters Web site, also see out takes from the film and a photo gallery of images of Glass.

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SundayArts is made possible in part by First Republic Bank and by the Rubin Museum of Art. Funding for SundayArts is also made possible by Rosalind P. Walter, The Paul and Irma Milstein Foundation, The Philip & Janice Levin Foundation, Elise Jaffe and Jeffrey Brown, Jody and John Arnhold, and The Lemberg Foundation. This program is supported, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. Additional funding provided by members of THIRTEEN.