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Posts Tagged : New York City Ballet

This Week at Lincoln Center New York City Ballet begins its winter season with an all-Balanchine program in celebration of the choreographer’s birthday.

"Fiber Futures" at Japan Society, "We Live Here" at Manhattan Theatre Club, drawings from The Louvre at the Morgan Library, and more.

Critics have been ripping into the Paul McCartney/Peter Martins' ballet, Ocean's Kingdom, at New York City Ballet, like bears after their first post-hibernation meal. Is it that bad?

In this edition of SundayArts: a profile of New York City Ballet Principal Dancer Sara Mearns, a look at Paul McCartney's Lincoln Center collaboration, and the latest SundayArts News.

This week at Lincoln Center, Sir Paul McCartney collaborates with New York City Ballet Master-in-Chief Peter Martins on “Ocean’s Kingdom.”

The New York City Ballet recently began its fall season. The company is made up of 90 dancers who are ranked by group -- the highest being a principal dancer. In this profile, SundayArts speaks to Principal Dancer Sara Mearns.

This week, NYC ARTS highlights new events and places opening for the fall season across the city.

On the next SundayArts: a profile of Sara Mearns, Principal Dancer with the New York City Ballet; Stephen Burks offers a glimpse of "Are You A Hybrid?" on view now at the Museum of Arts and Design; the latest SundayArts News; and more.

New York City Ballet presents the "Dancers' Choice" program, created by choreographer Peter Martins, and produced by the dancers for the dancers.

The New York City Ballet presents a tribute to Broadway, including George Balanchine's "Slaughter on 10th Ave," Susan Stroman's "For the Love of Duke," and more.

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SundayArts is made possible in part by First Republic Bank and by the Rubin Museum of Art. Funding for SundayArts is also made possible by Rosalind P. Walter, The Paul and Irma Milstein Foundation, The Philip & Janice Levin Foundation, Elise Jaffe and Jeffrey Brown, Jody and John Arnhold, and The Lemberg Foundation. This program is supported, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. Additional funding provided by members of THIRTEEN.