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Shanghai to Nagasaki, via New York: Interview with Shu-Ying Li (Part 2)

…Continued from Part 1 Shu-Ying Li describes herself modestly as just “a Chinese girl trying to be a Japanese girl.” This week, she is at the end of a run of six performances at New York City Opera in the title role of Madama Butterfly, perhaps the most famous Japanese character in all of opera. [...]

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