Histoire du Soldat (The Soldier's Tale, from 1918), a two-performance, one-evening event at Galapagos in Dumbo last week, was one of those only-in-New-York performances that restores one's faith in humanity, even on a wicked sleety night.

Robert Wilson’s brand of theater art was seen at the Brooklyn Academy of Music as early as 1969.  Forty years after his debut there, Wilson’s work returned to BAM this month with a vivid of Heiner Muller’s Quartett, a 1981 reworking of the 1782 novel Les Liaisons Dangereuses.  It opens with an almost 10-minute long [...]