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SUNDAYARTS VIDEO : Dance

Dancers of Jacques d’Amboise’s stature often move on to start their own performance companies, but in 1976, this New York City Ballet legend started the National Dance Institute, an organization that teaches dance to public schools kids of all abilities in 32 schools in the New York City area. The Institute teaches kids about the [...]

Over a career spanning more than six decades, groundbreaking choreographer George Balanchine made ballet a modern art. From his early days in Russia to his trailblazing role as co-founder of New York City Ballet, Balanchine became one of the primary visionaries to shape the history of 20th-century dance. Premiering in 1967, “Jewels” is the choreographer’s [...]

Launched in 2000, Wolf Trap’s Face of America commissions dance makers, musicians and performing artists from across the nation to explore the relationship between the natural stage and the creative process; and celebrate fellow National Parks and their cultural heritage using the language of the performing arts. The multi-year initiative of the Wolf Trap Foundation [...]

DANCE IN AMERICA follows the Alvin Ailey American Dance Theater
(AAADT) during a pivotal period in its history, when the company ventured
abroad and established new roots at home. The documentary marks a moment of
both growth and reflection: the company travels to Russia after an absence
of 15 years; moves into a state-of-the-art custom facility, called by THE
NEW [...]

Judith Jamison is artistic director of Alvin Ailey American Dance Theater in New York. She joined the company in 1965, and was its principal dancer for many years.
Learn more about Alvin Ailey American Dance Theater at their Web site.

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SundayArts is made possible in part by First Republic Bank and by the Rubin Museum of Art. Funding for SundayArts is also made possible by Rosalind P. Walter, The Paul and Irma Milstein Foundation, The Philip & Janice Levin Foundation, Elise Jaffe and Jeffrey Brown, Jody and John Arnhold, and The Lemberg Foundation. This program is supported, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. Additional funding provided by members of THIRTEEN.
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