To be trapped in Soho in a hellish, multi-room environment that has been, or is, inhabited by mutants or delinquents—this might occur once in a blue moon, but twice in one week? Yup. (And I’m not talkin’ about Topshop.) Once at Here Arts Center, where Los Grumildos was on view last week, and again at Deitch Projects’ Wooster Street space, where Jonah Freeman/Justin Lowe’s Black Acid Co-op is up through August 15.
“Grotesque. Charming. Sordid. Tiny.,” is how the installation by Peruvian artist Ety Fefer is concisely described on the postcard for Los Grumildos, part of Here’s puppetry program. Foot-tall puppets—hybrids of humans and crustaceans, with lobster claws, scorpion tails, and extra limbs—in individual terrariums “play” various instruments, their herky-jerky movements driven by small motors. read more
Machines machines machines machines machines machines machines is garbage. Literally. The set appears to be largely composed of bits of string and rope, junk from the attic, parts of old tools recombined into bionically repurposed ones, thrift shop furniture, and cardboard sets made futuristic with discarded calculator keypads. In this dismal economy, the show—a production of rainpan 43 and Here Arts Center, where it runs through June 27—reflects parsimonious resourcefulness to the extreme. The pseudonymous heart of the show are Rube Goldbergian inventions that are used (or attempted to be used) to perform mostly banal tasks. Hilarity definitely ensues. read more
Red Fly/Blue Bottle, the title of a music-theater show at HERE, recurs in a memorable song that bookends the work. Christina Campanella wrote the haunting, melodious music, with words by Stephanie Fleischmann; Mallory Catlett directs. Old meets new in the Jim Findlay-designed set that resembles an attic, dense with antique clocks, audio/visual equipment, insect imagery. The detritus is interspersed with geometric white panels that serve as screens or scrims and slide laterally to create or take apart rooms.
Video elements by Peter Norrman and Mirit Tal are scattered across the theater, at times serving as a kind of tangible memory, sketchpad, or remote scene. The cast (including vocalists Jesse Hawley and Chris Lee, actor Black-Eyed Susan, plus music/text performed by Campanella, Sam Baker, and Erich Schoen-Rene) inhabits all corners of the set, appearing and disappearing with regularity, aided by Miranda Hardy’s lighting.
The team behind Red Fly/Blue Bottle (presented by HERE and Latitude 14 and developed through a HERE Artist Residency Program) has put together an intriguing, richly layered work of music-theater that resists categorization, for better or worse. It’s a problem faced by new multi-media or cross-genre performances that are ostensibly created to shatter convention, and do. read more
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