Watching a dance can sometimes leave me wondering why the choreographer created it. Often it’s during a “pure dance” work that doesn’t offer anything new, even if the technique is solid and the dancers are skilled (as is nearly always the case in New York City). Sometimes, form is enough, sometimes not. But two programs – redevelop (Death Valley) by Brian Rogers, and Alchemy, by Doug Varone – focus on important subjects that provide much context to work with. read more
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