
Robert Wilson’s brand of theater art was seen at the Brooklyn Academy of Music as early as 1969. Forty years after his debut there, Wilson’s work returned to BAM this month with a vivid of Heiner Muller’s Quartett, a 1981 reworking of the 1782 novel Les Liaisons Dangereuses. It opens with an almost 10-minute long tableau that introduces all five characters—Muller’s play calls for only two actors, but Wilson, like when he first staged the work back in 1988, adds three other actors who don’t speak—followed by the Marquise de Merteuil (played by Isabelle Huppert) reciting in breakneck speed (and in French!) what sounds like a letter to her former lover, Valmont (Ariel Garcia Valdes).
The rest of the play unfolds with Wilson’s now-familiar design: minimal sets, a few Parzival Chairs, some sleek, Samurai-esque costumes, and intense, deeply hued lighting changes. read more

The great German choreographer Pina Bausch passed away on June 29 within a brutally short week of a cancer diagnosis, at 68 years of age. It was a terrible shock to the world of dance and performance—the end of an era and the sudden, cold beginning of another without her.
Her pieces, performed by Tanztheater Wuppertal Pina Bausch, a company of characters more intriguing than Dickens’, were life magnified—passionate, dirty, beautiful, violent, and crazy. A lot of their actions seemed more like rituals of torture than dance. But it was definitely theater, set to expansive musical collages, in various Peter Pabst arrangements of dirt and water, among a fallen wall of concrete blocks which we witnessed crashing down, a field of carnations, a human-scaled terrarium. read more

I’m not entirely sure why the performing arts take such a long summer break in New York. If you’re a sports fan, there’s something for each season, and summer is very busy for rock and pop tours. But if you like theater, dance, opera (and even the visual arts, as museums don’t open big shows), you’re out of luck in the hot months. There’s very little from late June to August, then suddenly everybody’s trying to open something or other between mid-September and November. It’s crazy, I tell ya! So what do we have to look forward to this fall? read more