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Sue de Beer In her staged videos, photographs, and performances, Sue de Beer examines how the media affects our perceptions of the natural. She has participated in video screenings, exhibitions, and performances at the Guggenheim Soho, The Brooklyn Museum, the Kitchen, and Momenta Art. She is a graduate of the Parsons School of Design (B.F.A) and Columbia University (M.F.A.).

Questionnaires were sent to each artist participating in REEL NEW YORK -- Season Three. Below are the artist's written responses.

    Sue de Beer  
reel  Making Out With Myself
 
What compelled you to make this piece? How does this work address issues that are important to you or close to your heart?

This piece was conceived of as I was walking on 110th street across Central Park. A bus drove by, with a large advertisement on its side, which featured Linda Evangelista about to kiss herself. I was struck by the loneliness and futility of this image. It seemed to suggest a sort of warped self-fulfillment that I found to be quite funny. In the ad however, Evangelista's beauty, which was enhanced by the way they shot the ad, seemed to mask the actual pathetic qualities of the gesture. I began to imagine how humorous it would be to see that image with someone ordinary, shot in a more ordinary way. So I made MAKING OUT WITH MYSELF.
Making Out With Myself
 From MAKING OUT WITH MYSELF.


In including your work in REEL NEW YORK, do you think your piece in any way pushes the medium of television, or the viewing audiences' expectations of that medium?

I will admit that I was unsure whether my video would be selected for REEL NEW YORK because of the lesbian implications of the kiss. This video was recently screened at the Brooklyn Museum's Current Undercurrent show, and the video curator Melissa Rachliff selected a still from my video to use in an events calendar which publicized the show. She and I were both surprised and upset to learn that the graphic designer putting together the calendar had cropped one of the heads out of my still, so that no one would be offended by this "lesbian" kiss. Television ostensibly would find this more "risky" subject matter than an art museum, so I am really pleased that REEL NEW YORK is going to show this piece. As long as they don't crop one of the heads out . . .

What about access to the tools of production and post-production?

I edit all of my work on the computer and because prices just keep dropping on machines, the type of computer I can work on now for one of my pieces is radically better than say, two years ago. But the expense of equipment is always a problem.

Making Out With Myself
 From MAKING OUT WITH MYSELF.
Why did you become a film/video artist/maker?

I work in a variety of media, and in fact MAKING OUT WITH MYSELF is the first video that I ever made. I have found since completing MAKING OUT WITH MYSELF that there are some projects which work best as videos, and others that work best as photographs. For me, it is really about finding the media that is the best one for the particular project.

Do you feel the New York independent film/video community has changed in recent years? Do you find support living and working in such a large community of artists?

I am not sure that I have enough perspective to say whether or not anything has changed, as I am quite young and have only been working in the "community" for a short time, but I can say that the support I have gotten from my friends who are video artists, Laura Parnes and Kristen Lucas, has been really amazing. They usually field my bewildered questions like "Where do color bars come from?" I think Laura's favorite question that I ever asked her was "What does 3/4 mean?"

Do you have any interesting behind-the-scenes stories about the making of this particular work?

When I shot the actual kissing part, I was kissing a plaster cast of my own head. I shot the kissing sequence eight times as I kept messing up the blue screen. I really wanted the kiss to look passionate, and the very first time I tried to kiss the plaster head I realized exactly how difficult that was going to be. It was about as romantic as kissing a doorknob. I began drinking a couple of glasses of wine before I did a take, and then I would put on some soft music to get me "in the mood," and feeling like the ultimate loser, would make out the head for a while. Well, the end result of the wine was not me feeling more romantic towards the plaster cast of my head, but was actually the plaster cast of the head getting bad breath. By kiss number eight, that head could really have used some Listerine. Oh, and I cut the mouth hole too small, so there is a really funny moment in the video, where I am trying to french kiss the plaster head, but I can't quite fit my tongue in the head's mouth.
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