REEL NY - Season Three Thirteen Online
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Kathy High Kathy High, curator of REEL NEW YORK, is a media artist, curator, and teacher living and working in New York City. She is currently working on a musical about human genome mapping, called "The 23 Songs of the Chromosomes." She teaches in the Visual Arts Department at Princeton University. High is also the founder and editor of the critical journal, "FELIX: A Journal of Media Arts and Communication," which encourages dialogue among media makers.

  the challenge
From WALL TO WALL (A City Ditty)

From THE PHONY TRILOGY
As the series curator of REEL NEW YORK for its first three seasons, my goal has always been to select works that are diverse and represent the variety of interests and activities within the media arts community in the New York City metropolitan area.

Underlying the day-to-day job of finding more than twenty films and videos is the challenge to include works that push the medium of broadcast television. From big budget narratives to intimate and personal documentaries, works that attract me the most are somewhat radical either in their content or in their chosen form, seeking to expand our limited notions of what can be produced using the tools of video and film.

  not generally seen
From SIGRID AND RUDI DO NEW YORK

From REV
REEL NEW YORK is a window of opportunity to see works generally not aired: the documentaries may be more opinionated or personal than viewers are used to seeing on TV; the narratives may tell stories viewers usually don't hear in everyday life, or may portray characters viewers don't usually encounter. Presenting images and sound that offer new ways of looking at our culture, these works can extend our notions of what happens in public and private spaces, or shed new light on family, intergenerational, or interracial issues.

Much of the subject matter in this season is about "family," not merely in the traditional sense, but an extended family of peacemakers and anti-war activists, of queer men and women, of interracial families -- of people connected in various ways as they try to navigate through this vast maze of a city.

Overall I am struck by the great joy of these pieces, as well as their seriousness and intensity, and the often odd and unexpected combination of images and viewpoints. I am delighted there is a place for these works on television.

  a new frontier
From FEET

From PAUSE
As the medium changes to include "Web-casting" and other such broadcast variations via the new frontier of the Internet, one expects there will continue to be a place for this kind of "progressive" and "alternative" programming. In a few years, the entire programming for REEL NEW YORK may be "broadcast" on the Internet, much like a television program is broadcast today. One might be able to visit Thirteen Online to see the films and videos "live" at a scheduled time, or be able to access the material for years in an archive. The Internet already allows viewers from anywhere in the world to send messages to Thirteen/WNET via email, to see major Web companion pieces to television programming or Web-only original pieces, and occasionally to participate in live interaction such as chats. As the "pipe" grows larger, and as digital broadcast TV emerges soon, many questions arise about the future of broadcasting. It is fascinating to see the possibility for the medium of television to reinvent itself via the Internet, asking many of the same questions as it did at its inception, and causing makers and programmers of media to expand their horizons even further.

  opening the door
From FLY

From THE GIRL'S NERVY
With the advent of new venues of transmission, it will be essential to break down old broadcast models and use forms and ideas that are much more avant-garde to satisfy new (and perhaps younger) audiences. In this sense, Thirteen/WNET is opening the door for just such a future with the continuation of REEL NEW YORK. Let us hope that this kind of playfulness and openness to experimentation will continue to inform series like REEL NEW YORK as we move forward into the next wave of media technology.

I am pleased to see the commitment on the part of Thirteen/WNET towards maintaining this series. Successful fundraising efforts and dedicated staff members reflect their support and future assurance that REEL NEW YORK will be an annual part of their programming. I am especially grateful to the Series Producer, Garrison Botts, who has worked so hard to see that the quality of programming on REEL NEW YORK is never compromised.

Kathy High
Series Curator, REEL NEW YORK

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