Interview with Liselle Mei
	1 | Page 2 | 3 | 4 | 5
	Q: Briefly tell us about how you made your film or video. A: The film was originally shot on Super 16 mm, with an Aaton camera. Because of the ultra-low budget, we were only able to afford Kodak short ends. We processed the negative and transferred it to DVCAM for an edit using Final Cut Pro. Through a generous grant from the Women in Film Foundation in association with the DuArt Lab, the 16 mm negative was blown up to a 35 mm IP that was then color corrected and transferred to the final HD master. page 3
© 2005 Educational Broadcasting Corporation. All rights reserved.