by John Farr
John Farr pays tribute to the unlikely Academy successes of Holly Hunter and Billy Bob Thornton.
The Piano (1993)
Ada McGrath (Holly Hunter), mute since childhood, travels with young, precocious daughter Flora (Paquin) to a remote part of New Zealand to wed icy farmer Stewart (Sam Neill). A ferociously talented pianist, Ada soon agrees to give music lessons to George Baines (Harvey Keitel), an Englishman living among Maoris, in exchange for his housing the piano her husband would not let her keep, and a strange, erotic passion slowly begins to consume them.
WHY I LOVE IT:
Set in the 19th century, Jane Campion’s brilliant period tale “The Piano” was rightly lauded in 1993 for its eccentric storyline and otherworldly, dreamlike atmosphere. Despite never uttering a word, Oscar winner Hunter exudes intelligence and determination as the rebellious Ada, along with a repressed yet combustible sensuality. Anna Paquin is a marvel in her debut, exemplifying the mix of spunk and knowingness that made her a sought-after young star. Visually ravishing and exquisite, “The Piano” is Campion’s visually poetic ode to our unspoken emotions.
Sling Blade (1996)
Released from an Alabama psychiatric institution 25 years after he murdered his mother and her lover, 37-year-old Karl Childers (Billy Bob Thornton) takes a job as a fix-it man in his old hometown. Despite his violent past, the mildly retarded Childers is a gentle soul who befriends a needy young boy, Frank (Lucas Black), and his widowed mother, Linda (Natalie Canerday), who offers to take him in. But Karl’s delicate re-entry into society is disturbed by Linda’s no-good boyfriend, Doyle (Dwight Yoakam), a cruel, abusive drunk who treats him with utter contempt.
WHY I LOVE IT:
Alternately haunting and sweetly affecting, “Sling Blade” is a beautifully accomplished debut by actor-director Billy Bob Thornton, who conceived, wrote, directed and starred in this absorbing drama. (He won an Oscar for his original screenplay.) Thornton’s cathartic, humane portrayal of Childers–a mild-mannered simpleton who quietly protects and cares for Frank and his mom but is haunted by the past–stirs our deepest sympathies. In a nuanced turn, the late John Ritter excels as Linda’s gay friend Vaughan, but the real surprise is country singer Yoakam, whose hateful, hard-drinking Doyle guides the film’s tragic final act.
A Simple Plan (1998)
After stumbling across the wreckage of a small plane in the woods containing a dead pilot and millions in cash, sensible accountant Hank (Bill Paxton) orders his dim-witted brother Jacob (Billy Bob Thornton) and their dissolute pal Lou (Brent Briscoe) to keep the money hidden for a year so as to curb the suspicion of drug dealers who’ll no doubt come looking for their loot. But simple plans, like decent people, have a funny way of going very, very wrong.
WHY I LOVE IT:
What would you do if you found $4 million, with no one around to claim it? That’s the basic premise of this absorbing Midwestern crime thriller by “Spiderman” director Raimi. “Plan” is as much a study in the poisonous effects of greed as it is a dark-comic twist on the get-rich-quick genre, and Raimi prises splendid acting from his talented cast, especially Thornton (few play the backwoods idiot as well as he) and Fonda, who as Hank’s wife turns from an innocuous, slightly nervous third party into a cold-blooded deviant at the promise of so much lucre. Neo-noir at its best.