by John Farr
John Farr joins the parade.
The Music Man (1962)
Traveling charlatan “Professor” Harold Hill convinces the citizens of River City, Iowa, that they should have a marching band to help guard youth against moral corruption. Charming the socks off everyone, including the mayor’s wife (Hermione Gingold), with his plan to teach the town’s kids how to play using his deliciously absurd “Think System”, Hill’s a homey kind of huckster. His only obstacle is to win over local librarian Marian Paroo (Shirley Jones), who believes he’s a fraud.
WHY I LOVE IT:
This exuberant, energetic adaptation of Meredith Wilson’s hit Broadway musical is a bona fide marvel thanks to Robert Preston’s virtuosic turn as the ultra-charming swindler. Homing in on small-town America in 1912, “Music Man” mixes nostalgic sentiment with real-world woes, memorably in the person of Ron Howard, who plays Marian’s sullen younger brother Winthrop. Comedian Buddy Hackett adds levity as Hill’s goofy sidekick, while Jones is a perfectly prim counterweight to Preston’s engaging rogue. And let’s not forget the songs: “Till There Was You” and the rollicking “76 Trombones” will leave you humming long after the lights go up.
Animal House (1978)
At Pennsylvania’s Faber College, stiff-shirted Dean Wormer (John Vernon) is fed up with the raucous antics of Delta House, an anarchic, thoroughly debauched fraternity with no sense of decency, decorum or, apparently, brains. So he hatches a plan to strip the Deltas, who are led by a group of seniors including Otter (Tim Matheson) and John “Bluto” Blutarsky (John Belushi), of their credentials, enlisting the help of their hated, upper-crusty rivals at Omega House.
WHY I LOVE IT:
The original “party animal” teen movie (despite its “R” rating), Landis’s outrageous feature-length prank has enough gross-out humor, slapstick yucks, and all-night beer chugging to put a drunken smile on anyone’s face. Matheson and co-stars James Widdoes, Peter Riegert, and Bruce McGill bring sheer lunacy to their roles as leaders of a riotous frat house for rejects, losers, and academic failures. But it’s Belushi’s gonzo portrayal of Bluto that remains iconic, and helped make the former “SNL” cast member a bigtime comic star. Irreverent, subversive, and totally inappropriate, “Animal House” depicts the college experience most of us never had, but kind of wish we did. Watch for Kevin Bacon in a small early role as a young pledge.
The Fugitive (1993)
Andrew Davis’s adaptation of the 60’s TV series involves Dr. Richard Kimble (Harrison Ford), a prominent Chicago doctor accused of murdering his wife. The jury doesn’t buy Kimble’s story about confronting a one-armed man in his apartment the night his wife was killed, and he is convicted. When Kimble escapes custody, he hunts the real culprit, and ace U.S Marshal Sam Gerard (Tommy Lee Jones) gets assigned to track him down. Will Gerard get to Kimble before the doctor can clear himself?
WHY I LOVE IT:
A textbook example of a first-rate thriller, buoyed by Davis’s breathless pacing and a picture-stealing performance from Jones, who won an Oscar. Drawing from his Indiana Jones days, Ford is just right as the besieged hero always one step ahead of disaster, but Jones’s Gerard, whose drive is offset by a wry, folksy humor, is intensely charismatic as the intrepid hound-dog on Kimble’s trail. Over ten years after its initial release, it’s worth another peek if you haven’t seen it since. First-timers should definitely plunge.