by John Farr
If you enjoyed Mutual Appreciation, you might also enjoy these great films about twenty-something romance:
Before Sunrise (1995)
Making his way to Vienna to catch a cheap flight home, 20-something American tourist Jesse (Ethan Hawke) chats up Celine (Julie Delpy), a student at the Sorbonne, on a Eurail train and finds they have a lot in common. When they arrive at his station, Jesse proposes that Celine disembark with him in Vienna and keep him company until his plane leaves the next morning. Impetuously, she agrees, and together they embark on a brief but unforgettable adventure.
WHY I LOVE IT:
This intelligent and unconventional tale of talky romance borrows something from the work of French auteur Eric Rohmer, but “Dazed and Confused” director Linklater – a master of meandering conversation – puts his own stamp on the character-driven drama with searching, tone-perfect dialogue. As the two wander the streets discussing love and sex, history and politics, Hawke and Delpy make attractive kindred spirits whose youthful, sometimes argumentative exchanges really seem to echo life. Despite the R rating, “Sunrise” is an ideal film for teens, as it captures a sense of life’s wondrous possibilities.
High Fidelity (2000)
Chicago record-shop owner Rob (John Cusack) finds himself examining the sorry state of his obsessive, audiophile lifestyle when his lawyer girlfriend, Laura (Iben Hjejle), decides she needs more from Rob than the scruffy, thirty-something vinyl fetishist is willing to give. Dejected, Rob starts looking up ex-girlfriends and inquiring about his serial faults, while Laura hooks up with his supersensitive, dunder-head neighbor, Ian (Tim Robbins). Can Rob win her back?
WHY I LOVE IT:
Frears’s surprisingly insightful film, adapted from the Nick Hornby novel, examines the comic romantic entanglements of a lovable music-store geek. His record stacks and Top Five lists may be in perfect order, but his love life is a shambles, and Cusack plays the part with shaggy-dog affection. Aside from solid direction and a great soundtrack, the other selling point here is the supporting cast, in particular Jack Black as a crass, super-snobby record nerd and Robbins as a New Age devotee. High Fidelity hits a steady, heartfelt groove that will keep you in stitches.
Regular Lovers (2005)
In the heady days of May 68 in Paris, 20-year-old poet Francois (Louis Garrel) flees the riot cops on the Night of the Barricades and holes up at the flat of opium-smoking bohemian Antoine (Julien Lucas), who houses young artists, druggies, and hangers-on. There, Francois meets free-spirited sculptor Lilie (Hesme), and falls deeply in love. But as the nature of the revolution changes, so does their idealistic and blissful romance.
WHY I LOVE IT:
This hypnotic, visually ravishing homage to the spirit of ’68 is an autobiographical tour de force by critically acclaimed French filmmaker Philippe Garrel, who cast his own son as Francois, modeled after his youthful self. Instead of memorializing or sentimentalizing the time, Garrel re-creates the mood of rebellion and youthful vigor in the first half, then allows the story-like the radical political movement itself-to drift into dissolution and disappointment. Garrel’s son Louis is superb as the cerebral, easygoing Francois, and Hesme refreshingly pure as the object of his love and esteem. Beautifully lensed in rich black and white, “Lovers” is a uniquely personal film, a love poem to a utopian moment destined to pass.