Best Movies by Farr
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June 22, 2009

by John Farr

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The shy but wealthy Lina McLaidlaw (Joan Fontaine) marries suave, penniless Johnnie Aysgarth (Cary Grant) despite warnings that he’s a gold-digging playboy. Before long, Johnnie appears to show his true colors when he gets involved in an embezzlement scheme-and his partner Beaky (Nigel Bruce) turns up dead. Though lacking hard evidence, Lina begins to suspect her husband is a killer, and fears he may come for her next.


Hitchcock’s psychological thriller is as tightly plotted and crisply directed as any of the master’s finest works. The tension builds slowly and inexorably, as the bookish, increasingly frightened Lina waits passively for her nightly glass of (poisoned?) milk, fearing the worst. Fontaine, who appeared the previous year in Hitchcock’s “Rebecca,” won an Oscar for her role as the rattled wife, while Grant is superb as a cynical charmer. “Suspicion” is sure to thrill anyone in the mood for subtle romantic intrigue.



American intelligence officers tracking Nazis in post-war South America coerce Alicia Hubermann (Ingrid Bergman), daughter of an executed Nazi spy, to use her feminine wiles to implicate more of her father’s colleagues, including one Alex Sebastian. Before the assignment is disclosed; however, American agent Devlin (Cary Grant) and Alicia have already begun a passionate romance, complicating matters going forward.


“Notorious” still delivers outstanding suspense, with director Hitchcock at his most subtle. The story of a fallen woman-first redeemed by love, then put in peril- is riveting throughout, and stars Grant and Bergman emit powerful on-screen chemistry. Acting laurels also go to supporting player Rains, who’s never been smoother or slimier than here, playing a Nazi agent. But then, just look at his friends-and that mother! Don’t miss the climax, nothing less than pure, understated genius.

To Catch A Thief


On the sun-drenched French Riviera, someone is relieving rich women of their precious jewels, and all the evidence points to retired cat burglar John Robie (Cary Grant). Reluctant to sit for questioning, “The Cat” evades investigators who show up at his luxe villa and-with the help of London insurer H.H. Hughson (John Williams)-cozies up to wealthy American widow Mrs. Stevens (Jesse Royce Landis), who he believes may be his imitator’s next victim.


Paramount’s new two-disk “Centennial Edition” has re-mastered audio and crystal-clear color. Filmed in VistaVision by Oscar winner Robert Burks, Hitchcock’s swanky, breezy suspense film takes a simple idea-one cat burglar on the tail of another-and spins it into cinematic gold. With his customary wit and sexual innuendo, the director positions tanned star Cary Grant on a collision course with the resplendent Kelly, who never looked more ravishing as spoiled heiress Francie Stevens, especially in a wide-brimmed white sun hat and bathing outfit Jackie O would have coveted. When they kiss, there are literally fireworks on-screen, a technique Hitch used to keep the censors from snipping his film. You’ll have a lot of fun catching this “Thief.”

North by Northwest


By chance, martini-swilling adman Roger Thornhill (Cary Grant) is mistaken for a top spy, and set up for murder. He then finds himself in the unfamiliar position of fugitive, criss-crossing the country in search of the real culprit, his only chance of survival. Along the way, he meet the beautiful but mysterious Eve Kendall (Eva Marie-Saint), who wants to help him. But is she who or what she seems?


Fifty years after release, “Northwest” provides gripping, colorful entertainment for the whole family, full of the Master’s trademark twists and turns. Only Cary could undertake such a rugged and dangerous journey and keep looking marvelous with no change of clothes. Eva Marie-Saint is appropriately enigmatic and alluring as the icy blonde who may or may not be in his corner. But it’s James Mason’s treacherous turn as the cold-blooded enemy agent that stays etched in your memory.

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