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Billy Elliot

July 13, 2009

by John Farr

If you enjoyed Billy Elliot, you might also enjoy these great films:

Gregory’s Girl


Gregory (John Gordon Sinclair) is hitting that awkward stage of adolescence. Tall and gangly, he finds his soccer skills are suffering. Worse yet, he may lose his position on the team to a girl, Dorothy (Dee Hepburn), who’s cool, pretty and athletic. Rather than feel threatened, Gregory sets his sights on her, and is soon involved in a bewildering, tentative romance. When relations begin to cool with Dorothy, Gregory turns to ten year old sister Madeline (Allison Forster) for advice. Soon enough, he learns there are plenty of fish in the sea.


Bill Forsyth’s delightful coming-of-age film rings consistently true, recreating those universal growing pains experienced by boys in their teens. Lovely Scotland setting (admittedly with some thick accents to decipher) and appealing juvenile performances make this a keeper. Forster is adorable as Gregory’s wise, precocious sister. A subtle charmer.

The Hours


Plot moves seamlessly among three different time periods and women: the fragile existence of gifted but disturbed writer Virginia Woolf (Nicole Kidman) as she starts writing “Mrs. Dalloway”; the claustrophobic life of Laura (Julianne Moore) a housewife and mother in late 1940s L.A. whose reading of Woolf’s book causes a numbing depression to surface; and the predicament of Clarissa (Meryl Streep) a modern-day, Dalloway-like book editor, whose lifetime project, a dying author played by Ed Harris, is receding before her eyes. Each interwoven tale plays out a variation on Woolf’s own isolation and sense of futility.


A subtle, literate meditation on life’s hidden detours which direct us away from self-knowledge and fulfillment. Stephen Daldry’s ambitious piece succeeds as intense, disturbing drama, showcasing prodigious talents of Streep, Moore, and Kidman (who won Oscar). Ed Harris, Toni Collette, and John C. Reilly also shine in this memorable film.

The Fallen Idol


In the absence of a strong parental figure, young Phillipe (Bobby Henrey), the 8-year-old son of a French ambassador, has come to revere household butler Baines (Ralph Richardson), his trusted caretaker and confidante, but reviles Mrs. Baines (Sonia Dresdel), his shrewish, scolding wife. When Baines comes under suspicion for murder, however, the boy’s loyalties are tested.


Told from a child’s point of view, Reed’s absorbing adaptation of Graham Greene’s short story follows the relationship between a lonely boy (whose pet plaything is, alas, a garden snake) and his caring gentleman domestic. Richardson and Dresdel are marvelous as well-heeled embassy servants whose marriage is empty and bloodless, and whose staircase squabble over Baines’s lover Julie (Michele Morgan) results in tragedy. Fusing elements of suspense with a hushed marital drama, Reed sets up the dichotomy between Phillipe’s observations of events and the adult world’s with depth and sensitivity to his innocence. Pay tribute to “The Fallen Idol.”



British widower Ronnie (James Nesbitt) moves his young sons Anthony and Damian (Lewis McGibbon and Alex Etel) to a new community after their mother dies, and one day, a large bag bulging with British pounds literally falls out of the sky, landing on Damian’s outdoor cardboard hide-out. The brothers must then figure out how to dispose of this cash, and fast, as within days Britain’s monetary transfer to the Euro will make the pound notes worthless.


Quirky, ingenious and altogether charming fantasy/comedy from director Danny Boyle combines warmth, humor and suspense, as predictably, the previous owners of the ill-begotten cash become vitally interested in its recovery. Young Etel steals the show as the adorable Damian, who happens to be an authority on all the saints, communes with them often, and fittingly, wants to use the money to help the poor but doesn’t quite know how to do it. Boyle paints his story in vivid colors, so that its darker aspects never overshadow the prevailing sense of fun and wonder. Tip-top entertainment for the whole family, though some plot intricacies may be lost on the smaller fry. Never mind- “Millions” will still hold them.

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