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Lawrence/Puryear
Inspired by the musical storytelling of West Africa’s griots, Jacob Lawrence employed in “The Migration of the Negro” a painted and written narrative to invoke how African-American families “came up” from the South to settle in cities such as New York, Chicago, Detroit, Cleveland, and Pittsburgh. Suspended above the floor and anchored by almost undetectable wires, Martin Puryear’s 36-foot Ladder for Booker T. Washington seems to float in space as it rises and abruptly narrows at the top. The artistic metaphor of a ladder not easily climbed dovetails with the contradictions in the legacy of slave-turned-educator Booker T. Washington. |
Picturing America has been made possible in part by the National Endowment for the Humanities: Because democracy demands wisdom.
[...] Picturing America is a collection of posters given to schools around the country by a grant from the National Endowment for Humanities. This painting is part of that series. Picturing America posters come with a video, questions, information and lesson ideas for each image. Before starting our own paintings, we watched Picturing America’s video on Jacob Lawrence. [...]