Inside Thirteen Blogger: Matthew Kells, Series Producer, Reel 13
A white Yukon crammed with crew and conversation rolls down Lexington Avenue on a cool October evening.
“…it is, hands down, the best American film ever made.”
That is the DP on the shoot, Srael Boruchin, the film he is referring to is Police Academy II, and he is egging on the host of Reel 13 Classics, Neal Gabler. A tiny smile creeps along Neal’s lips as he measures his response:
“While I will not deny that Mr. Guttenberg is one of the true gems of the New American Cinema, the best American film ever made is without a doubt, is Meatballs.”
Neal Gabler and Matthew Kells in Times Square
The two of them are laughing now and I am checking my notes to make sure that we are still on schedule. We are heading down to the State Supreme Court Building at 60 Centre Street to shoot the introduction to Sidney Lumet’s courtroom drama 12 Angry Men. Normally we shoot outdoors, but since the entire movie is set inside a jury room at 60 Centre Street we are making an exception. As we pull up to the courthouse, Srael unloads gear onto a small cart and Neal tucks the script he’s been studying back into his pocket.
While the jury room would be the logical place to shoot in, those rooms are small and ugly, so we decide instead to shoot in one of the courtrooms. The guard unlocks the door and we roll our gear inside. Srael and I read through the script once together and then discuss the shot…Srael starts:
“Normally I’d opt to see the entire courtroom in the shot, but maybe we should just see the jury box since the whole movie is about the jurors.”
“One of the very first shots in the film is the jury walking out of a jury box so if you shoot it at this angle, it will be an almost perfect match.”
“We’ll be ready in fifteen minutes.”
Neal and I have passed drafts of the script back and forth for over a week but it is always different by the time he shows up on set; we read through it briefly and discuss how the words will sound coming out of his mouth. We make some minor fixes, which Neal commits to memory, and we are ready to shoot.
“Camera is rolling…”
“Everybody stand by…in 3…2…1.”
“Welcome to Reel 13, I’m Neal Gabler and once again we have a full evening of movies…”
For as much work goes into getting to this moment, the reads themselves are pretty much what you see on the air (minus music and some movie clips). We do four or five takes of the intro and the outro, then pack up and move on to the next location. We shoot the wraps for two or three films every time we go out, which means that there’s much more to do tonight and much more time to listen to the crew discuss “The New American Cinema.”
Reel 13 is Thirteen’s weekly movie showcase for classic, short and independent films. Every Saturday night beginning at 9:00 pm, viewers can catch a Classic hosted by Neal Gabler, followed by a Short selected by visitors to the Reel 13 web site who vote for their favorite of three short films every week. The evening ends with an Indie, hosted by Richard Peña, Program Director of the Film Society of Lincoln Center.