|
|
HENRY THACKER BURLEIGH
|
|
Jubilee Songs
|
The success of these arrangements created a positive climate for Burleigh's original songs and other choral and chamber
compositions--over two hundred works in all. In addition to composing and editing for Ricordi, he retained the post of
baritone soloist at St. George's Episcopal Church in New York from 1894-1946, won acclaim as a recitalist who sometimes
accompanied himself on the piano, toured Europe and gave command performances for royalty. Active until 1946, when he
retired to a nursing home in Connecticut, Burleigh died on September 12, 1949 in Stamford, CT.
A beloved and respected artist, Burleigh's career and compositions did a great deal to break down color barriers and further the understanding of and appreciation for the role African-American music has played in the larger history of American music. His arrangements brought the spirituals and "sorrow songs" (as W.E.B. DuBois called them) out of their earlier home, plantation, and minstrel settings and onto the classical concert stage, where they were performed by black and white singers alike. His own songs enriched the repertoire with a deep sensitivity to text and emotion, as well as a singer's sense of the dramatic, while his career as a performer did a great deal to pave the way for artists like Roland Hayes, Paul Robeson, and Marian Anderson.
|
[Thirteen Online] [ PBS Online ] |